Wednesday, October 23, 2019

Writing Home Anthology

I've just got a copy of this new anthology from Dedalus Press, selected and edited by Pat Boran  and Chiamaka Enyi-Amadi, from an open call which drew hundreds of submissions. Contributors hail from all over the world and most now live in Ireland.

I love the sense of unease which surrounds the volume, the awkwardness as regards titles and themes reflected in its frequent use of quotation marks. The subtitle is The 'New Irish' Poets and the blurb on the website says "Poets from the ‘new Irish communities’, the ‘hyphenated Irish’, the Irish of mixed cultural, linguistic or ethnic origins, are all represented"

Pat Boran in his editorial deals with this, saying sensibly "a little unease is not unusual (or entirely useless) at the start of a journey". He deals especially with the general theme of the anthology, 'home'. Those of us who are internal migrants, if that is the correct term, know exactly how complicated the term 'home' can be.

The fifty poets in this anthology are generally polished practitioners and have histories of publication behind them. The wide range of styles and approaches to the general theme makes it a most entertaining read. The poets come from all over the world, some have English as their native language, others are writing in a second language, only a few poems included are translations.

I like the way the anthology is put together. White space is cut down, poems do not have pages to themselves, poems start at the bottom of pages and continue over, all giving the impression of trying to fit in as many as possible. I also like the fact that some poets have one poem while others have more - I think nine is the record - giving the impression that the poem's the thing.

It's difficult to pick out individual poets but I loved the poems by Polina Cosgrove - "the Russian girl with an Irish surname/ Who was a Russian girl with a Jewish surname/ Who was a Russian girl with a Russian surname/ Who once spent nine months in the belly of/ An Armenian girl with a Russian surname". I especially Polina's use of repetition in "Say Yes" and "My Name Is".

I like the fact that many of the poems are a little less than positive about the new home Ireland. For instance Bogusia Wardein, a frequent visitor to Ireland, who regards Galway as her "literary home" can still be a sharp critic. Her "From the West Coast" is a sad and humourous look at the Irish from the outsider's eye. "People ask me how I am but don't wait for the answer" "After drinking they mark their territories by spewing here and there". "People call towers castles, hills mountains, and greens parks".

Her "I consider My Home Planet" makes comparisons between a perfect place and Ireland: "For fourthly the say what they mean/ For fifthly the mean what they say" though there is more than a hint that this perfection might actually be less interesting.

Art Ó Súilleabháin, a former work colleague of mine, brought up in Boston, is also here with two poems dealing with outsiders. Art mentions being published in our magazine, Boyne Berries, in his bio which is nice. As editor of Boyne Berries I published poems by another contributor Landa Wo, way back in issues 2 and 4.

All in all a most interesting read, well worth a read. More details on the website.


Sunday, October 20, 2019

Boyne Berries and Kintsugi

According to Wikipedia "Kintsugi is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum. As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise."

It has become a fashionable term, taken up by some self-help and popular psychology gurus but the basic idea is as old as the hills and worldwide. I remember when you could buy pot menders to fix metal containers.

Boyne Berries 26 will be launched on Thursday, 24th October at 8 pm in The Castle Arch Hotel, Trim. Co Meath and the cover has a great image by Rory O'Sullivan on the topic. The launch will be performed by poet Jean O'Brien who I understand has a poem on Kintsugi included.

A special feature of the issue is the inclusion of the poems shortlisted for Trim Poetry Competition 2019. Contributors to Boyne Berries 26 will read on the night. All welcome. Tea and coffee served.

I wrote a poem called Kintsugi in response to a prompt from Sophie in our online workshop in Spring 2017. It was then published in the anthology Poems to Keep edited by Janice Dempsey in 2017.

Kintsugi 

Her scribbled prescription was a pledge
not of cure but easement,
like that cardboard wedge
under our dining room table
or the taped glasses of the shopkeeper
who dished out aspirin in Coolaney.

Waiting in the pharmacy I considered
mother’s dentures, grandad’s truss,
the wooden hand great grandfather wore,
all the crucial repairs we carry with us,
sticking plasters on our cracks
patches on our punctures, our fractures
held together by judicious mending,
golden joinery, the beauty in broken things.

Michael Farry

Monday, October 14, 2019

SiarScéal Festival 2019

SiarScéal is a historical, literary, bilingual festival hosted annually and inspired by the culture and heritage of County Roscommon and the west in general, held annually in the library in Roscommon town. The festival includes the annual Hanna Greally Literary Awards, and this year I was lucky enough to be the overall winner with my poem The Burma Road Blues, about the now disused Collooney - Claremorris railway line.

On the Friday evening the festival featured the launch of the Beneath Western Skies exhibition, which featured poetry from a number of primary schools including Bunnanaddan NS in Sligo and photography and poetry by Anni Wilton Jones. This exhibition is going on tour to local libraries.



On Saturday, 12 October I attended the prize-giving and readings. It was great to see the good attendance, meet writers from all over the country and see the enthusiasm the organizers bring to the event. Well done to Gwen McNamara Bond and all involved.

After the official opening by the leas-cathaoirleach of Roscommon County Council, adjudicator Faye Boland announced the results. Faye, pictured below, is the author of the poetry collection, Peripheral, and she was overall winner at the Hanna Greally International Literary Awards in 2017. She spoke with great insight about my poem and recalled a grandfather who had similar experiences and empathy with railway lines.



It was great to hear many of the other winning and listed pieces, prose and poetry and also to see that County Sligo was well represented by Going Back by Anne McManus and Borrowed Time by Maureen Harkin. Well done also to Louise G Cole, joint winner in the story section.


One of the children's poems on display.



Wednesday, October 9, 2019

The Bangor Literary Journal

The Bangor Literary Journal is a bimonthly online literary journal which showcases outstanding poetry, flash fiction and artwork from established and emerging writers and artists.  The journal is run by Amy Louise Wyatt and Paul Daniel Rafferty in Bangor, Co. Down.

The first online issue launched in February 2018 and the most recent one has just been made available online. This is issue 10 and is the Aspects Festival 2019 issue, coinciding with that festival and includes all the shortlisted and winning poems from The Seventh Annual Bangor Poetry Competition, including this year’s winner, Gaynor Kane’s poem ‘Firelighting’. 

The issue also has interviews with award winning poet Ross Thompson, renowned Bangor writer Lesley Allen and local historian Ian Wilson plus the usual selection of exceptional poetry, flash fiction, art and photography.

Amy and Daniel seem tireless in their organisational ability and their innovative competitions based in their unique and atmospheric gallery in Bangor. I've visited a couple of times, train to Belfast, train to Bangor, and enjoyed both visits. I had a shortlisted poem/artwork hanging in the gallery last year and a poem shortlisted again this year. I'm delighted to have the poem included in this issue.

There's also a great bookshop in Bangor, Bookends, not far from the train station.

Download the latest Bangor Literary Journal for free here.


Sunday, October 6, 2019

Bailieborough Poetry Competition 2019 Results

The results of the Bailieborough Poetry Festival Competition 2019. 
The judge was Cavan Writer-in-Residence, Anthony J Quinn.
Winner: Christopher M James - ‘Janus’.
Runners Up: Giles Newington - ‘Dynamic Me’
                      John D Kelly - ‘The Missing Piece’
Congratulations to the winner and runners up and to the following who made the shortlist:
Orla Fay - ‘The Member of the Wedding.
Ruth Quinlan - ‘Eczema Herpeticum in The Limerick Regional’.
Eugene Platt - ‘Thank You Note to my New Wife’s Late Husband’.
Anne Tannam - ‘I’ll admit to’.
Kate Ennals - ‘Drafting a Poem in my Mother’s Old Diary’.
The announcement and presentation in Bailieborough Library on Saturday was a most enjoyable event. 

Thanks to those shortlisted poets who attended and read. Thanks also to the winner Christopher James who, though in Thailand, was able to read his poem for us through the wonders of modern technology.

Monday, September 30, 2019

Bailieborough Shortlist

The shortlist for the Bailieborough Poetry Competition has just been announced. The judge was Cavan Writer in Residence, Anthony J Quinn. Congratulations to the shortlisted poets.
The prize giving event and the readings will be held on next Saturday 5 October as part of the Bailieborough Poetry Festival in the Library Arts Space at 2.30pm.
The shortlist in no particular order:
Christopher James - Janus.
Giles Newington - Dynamic Me.
John D Kelly - The Missing Piece.
Orla Fay - The Member of the Wedding.
Ruth Quinlan - Eczema Herpeticum in The Limerick Regional
Eugene Platt - Thank You Note to my New Wife’s Late Husband.
Anne Tannam - I’ll admit to.
Kate Ennals - Drafting a Poem in my Mother’s Old Diary.

Thursday, September 26, 2019

LitLab Anthology - Where You May Find Yourself


It's exciting when a large parcel arrives, especially when that parcel contains the just printed copies of your writers group latest anthology.

This morning copies of Where You May Find Yourself arrived and they look great. The work on this anthology has been going on over the last few months. We submitted poems to Anthony J Quinn, Cavan Writer in Residence who agree to edit the publication. He chose the poems to include, suggested a title and a cover image. There was some agonizing over commas and capitals and last lines but eventually all was agreed and sent to the printer.

The finished product looks great and Anthony has written a most interesting preface. "The LitLab writers, I have to say, are one of the least Keatsian collection of poets you are likely to meet, and I mean that in the best possible way. The poems in this anthology carry the wisdom and good-natured humour of longevity. They concentrate a lifetime of thinking and being." 

"These are poems by mature writers that aren’t an escape into the past but a means of slowing down and re-seeing the present, making this anthology a wonderful counter-balance to the quick thrills of social media and the internet."

This is the fourth anthology of members’ work. Previous anthologies were, Under A Thrupenny Moon, edited by Barbara Smith, in 2013, Between the Lines, edited by Julia Rice O’Dea, in 2015, and Frank Miller Stole my Girl, edited by Noel Monahan, in 2017.

Some of the poems included in this collection were first published in Poetry Ireland Review, The North, Crannóg, Stony Thursday Book and The Cormorant.

Some poems won prizes or were shortlisted in these competitions: Edgeworth Poetry Prize 2018, Padraic Colum Gathering Poetry competition 2018, Ledwidge Society Poetry Prize 2017 and Ilkley Poetry Competition 2017.

The cover photo is of Richard Cyril Duff, a Customs and Excise officer, father of LitLab member Honor Duff, at the Leitrim-Fermanagh border in the late 1920s.

The anthology will be launched at Bailieborough Poetry Festival on Friday 4 October and copies will be on sale there. It will also be possible to buy copies online on the festival site.

Sunday, September 22, 2019

Bray Poetry Competition - The Winner

I'm obviously delighted to have won the Bray Poetry Competition 2019 and to have read the poem at the Culture Night event in Bray on Friday 20 September. Thanks to the organizers who did such a fine job of organisation, notifying those long- and shortlisted and publicizing those and the results. 

Thanks also to the judge, Nessa O'Mahony, for picking out my poem from the more than 200 entered. These competitions are judged anonymously and when entering I replaced two local Sligo placenames  in the original with more generic placenames just in case.

Well done to those on the long and short lists and especially to the other prizewinners, Mark Ward who got second and the joint thirds, Evan Costigan and Catherine Ann Cullen.

I've entered lots of competitions and judged one or two. There are those who talk about a "competition poem", as if a particular style or form is more likely to win. I don't really accept that, having seen the variety of winners in various competitions over the years.

My Bray winning poem was sent out previously twelve times, to competitions and journals and only got longlisted once before. All this means is that it didn't meet the standards of all those other judges which is quite understandable. If you believe a poem is good enough, keep sending it out. I did enter two other poems in the Bray competition and they failed utterly. A special mention of Catherine Anne Cullen who had two poems in the final shortlist of six - quite an achievement!

Having won this competition the poem isn't eligible for most other poetry competitions but is available to submit to journals and magazines as long as it is not published online. Bray have a policy of not publishing winners on their website to allow this.

Bray Literary Festival 2019 takes place next weekend, 27-29 September and the full and varied programme is well worth checking out online.


Wednesday, September 18, 2019

Poetry Competition Anthologies

I've just been reading my copy of What the Peacock Replied, the anthology of the winners and shortlisted poems from the Single Poem category of the Brian Dempsey Memorial Prize 2019, with poems by Dawn Gorman (winner of the Pamphlet Category); Fiona Cartwright (1st Prize); Terry Jones; (2nd Prize); Steven Jackson (3rd Prize) and over 40 other poets.

This competition is an annual event organized by the wonderful Dempsey and Windle team, publishers, poets, event and competition organizers, based in Guilford, UK.

There is an introduction by the judge, Anna Saunders in this case, with general comments and comments on the prizewinning works.

It's most interesting to see the range and variety of the poems chosen. There is no suggestion here that the judge favoured a single style or form of poetry. Poems rhyme or not, are formal or free even experimental, long and short - the shortest a great four line poem by John Bevan. Poems reference popular culture or classical works and authors - Facebook, Barbie, Penelope, Edward Hopper. Some poems even have explanatory subtitles.

My shortlisted poem included in the anthology is The Friary Bell one of those based on the Blackfriary archaeology dig in Trim. Inclusion in the anthology and a free copy was one of the attractions of the competition.

It is important for competition organizers to state clearly in the rules if winning and shortlisted poems are to be published. If they are it rules them out of other competitions and publications. In our Bailieborough Poetry Competition the rules clearly state "The shortlisted poems may be published on the Bailieborough Poetry Festival website" and they usually are.

In the Trim Festival Competition earlier this year we didn't include any such note so when we decided to include the shortlisted poems in the forthcoming Boyne Berries journal we had to ask permission of the authors. I think most agreed. Boyne Berries 26 will be launched on Thursday 3 October.

Next year we intend to state from the start that shortlisted poems will be published in Boyne Berries.

I see the Cathal Bui competition in Belcoo have also published a small anthology of shortlisted poems for their competition, 2019 CATHALBUI POETRY COMPETITION COLLECTION. In this case this wasn't made clear at the beginning so some shortlisted poets aren't included. I had no problem allowing my shortlisted Vertigo at Killadoon to be included.


Sunday, September 15, 2019

Poetry Competitions

I'm lucky to be shortlisted in two poetry competitions at the moment, The Bangor Poetry Competition and the Bray Festival Poetry Competition.

The Bray prize-giving ceremony is on Culture Night, Friday 20th, at 7.30 pm in Bray Town Hall where the three winners will be announced. There are only six poems in the Bray shortlist which makes it even more special having one among them.

The 15 shortlisted poems in the Bangor, Co Down, competition will be on display at The Blackberry Path Art Studios in Bangor Co Down from Thursday 25th September until Sunday 29th September 2019 as part of Aspects Irish Literary Festival and will be voted on by the public during the exhibition.

Winner, runner up and placed poets will be revealed at The Bangor Literary Journal Launch at Fealty’s Back Bar Wed 2nd Oct 7-9 pm.

In both cases shortlisted poets are invited to read at the events. Both these competitions also have good online presences and have publicized the shortlistings and events very well. There are other competitions where entrants struggle to find out if there is a shortlist and who has made the shortlist. This in spite of having paid a not inconsequential entrance fee.

It's always nice to be shortlisted, it means someone has picked out your work from among many many good entries. Having judged a number of poetry competitions, sometimes with others, I realize how much depends on the judges own taste and preferences. So thanks to the judges and organizers in these two competitions and well done to all those shortlisted.

Tuesday, September 10, 2019

Skylight 47 Launch of Issue 12


I attended the launch of Skylight 47 in Galway on Sunday evening. It was a most enjoyable event, a large audience, lots of great readings and tea, coffee and cakes.

This was issue 12 of the newspaper style poetry publication. I was delighted to have a poem accepted for this special issue. For the first time there was a theme - Language, Landscape, and Migration)- and my poem fitted in under language.

The issue also included a supplement with space for unpublished writers, individuals or writing groups based in Galway City or County.

Skylight 47 has always shown an interest in writing groups and published a regular feature on groups from around the country, our group, Boyne Writers, was featured in one issue. This time they worked especially with some groups from Galway city and county as part of their Let the Stories be Told project helped by funding under the Galway 2020 European Capital of Culture Small Towns Big Ideas project. Three such groups got special assistance and facilitator time.

The three editors, Bernie Crawford, Ruth Quinlan and Nicki Griffin, are to be congratulated on their work in planning and carrying out the project and on the finished journal which is a delight to read.

My poem, which I read at the launch, concerns the word "Terminus" which I used when taking grandchildren to the end of the Luas line. An interesting word especially to an older person who has for one reason and another been visiting a number of medical establishments in the past couple of years.

More pictures from the launch on the Facebook page. You can buy the issue on the Skylight 47 site here.

Wednesday, September 4, 2019

Bailieborough Poetry Festival 2019

Bailieborough Poetry Festival takes place on the weekend of October 3 – 5, 2019.

Bailieborough Poetry Competition closing date is this Friday, 6 September. Details here.

Thursday 3 October will see the official opening at 7pm in Bailieborough Library of the festival and of the collaboration between LitLab writers and Virginia artist Jim McPartlin.

On Friday 4 October LitLab's latest poetry anthology will be launched. This is edited by current Cavan Writer in Residence, Anthony J Quinn. The featured poet will be Moya Cannon.

Saturday morning has two poetry workshops, by Pat Boran and Moya Cannon. Booking online.

In the afternoon Anthony J Quinn, this years judge, will announce the winners of the Bailieborough Poetry Competition and shortlisted poets will read. This will be followed by a reading from his published work by Anthony and, after a short break, a talk on developing oneself as a writer also by Anthony.

The Festival concludes on Saturday evening with readings by Kate Ennals and Pat Boran followed by an Open Mic and some music.

Full details on website at present or very soon.

Friday, August 30, 2019

The Caiplie Caves by Karen Solie


What I'm reading at the moment - The Caiplie Caves by Karen Solie (Picador)
 
In her fifth collection, Canadian poet Karen Solie uses as a theme the Caiplie Caves on the shore of the Firth of Forth in Scotland. In poems which flit between modern times and her exploration of the area and the chaos between the fall of Rome and the emergence of modern Europe, she contemplates life, grief, confusion, faith, among the realities of war and power.

The poems are written in Solie’s own voice and also in the voice of St Ethernan, the seventh-century Irish missionary to Scotland who retreated to these caves to decide whether to establish a priory on nearby May Island or pursue a life of solitude, a choice between the active and the contemplative life.

One of the many attractions and delights of the collection is the use it makes of found material, early and modern Christian texts, natural history books, Hegel, St Augustine, Barthes, even The Invertebrate Fauna of the Firth of Forth, 1881, by George Leslie and William A Herdman.

This makes for a glorious mix of language and tone, with a refreshing breadth of vision and reference. I saw Karen Solie read at the Cork International Poetry Festival a couple of years ago and was impressed.

from The Desert Fathers

With or without a bindle of crystal meth,
they made their anchorage in Egypt’s
Wadi El Natrun, or the dismantled
Marine Corps training base of Slab City, California,
hard skills in transition, taking losses
and burning, if not with a sensible fire,
in the pride of specialized knowledge.
Snakeman relocates the red diamond rattlesnake
and northern Mojave rattlesnake
from residents’ trailers to his own to live
alongside him with the scorpions and guard dogs;
it’s tough to have riches and not love them.
St. Anthony sold his land, gave the money to
the poor, yet in his Outer Mountain sanctuary cried
I desire peace, but these bad thoughts
will not leave me.

It’s interesting to compare a version of this poem published online in The Walrus with the version published in the book – lots of changes in line breaks and some deletions.

I’m particularly interested in her use of found material because my next collection, to be published 2020 I hope will contain a number of “found” poems. It can be difficult to know exactly how to attribute various borrowings. Solie does this by the inclusion of comprehensive “Notes” at the back of the book. It seems to works well and doesn’t break the flow of the text but I did find myself checking now and then to see if a line or stanza were borrowed and from where.

Wednesday, August 28, 2019

August At The Edge Cavan

At the Edge is a regular reading series organised by Kate Ennals with assistance from Cavan Arts Office. It is held in Cavan Library on Tuesday evenings at 6.30. 

It has build up a dedicated and knowledable audience many of whom also participate in the Open Mic which follows the readings.
There are usually two or three featured readers, well-know poets or prose writers, and the list of those who have read there is impressive.
Last evening, 27 August the new season started with a well-attended and most enjoyable event featuring four writers. Kate Ennals, the organiser, introduced the readers as "neighbours" coming as they did from neighbouring counties.
The writers were Glen Wilson, Jackie Gorman, Anthony J Quinn and Jessamine O’Connor, poets apart from crime writer Anthony who confessed to really wanting to be a poet. His crime writing does have a lyrical touch about it, in spite of the dark deeds he narrates.
The poetry was great, as was the delivery and the audience really appreciated the variety of subject matter and tone. Well done to all concerned!

Keep an eye on Kate Ennals Facebook page for details of the next reading.