Satire and Trim Swift Festival

Less than a month to go to the Trim Swift Festival and satire is on my mind. Swift was a master of course in prose pieces such as the well-known A Modest Proposal but also much of his verse in elegant rhyming couplets. Somehow satire in poetry should be like his, with lots of ingenuous rhymes.

This is the start of Swift's The Lady's Dressing Room

Five Hours, (and who can do it less in?)
By haughty Celia spent in Dressing;
The Goddess from her Chamber issues,
Array'd in Lace, Brocades and Tissues.

The Battle of the Books is the immediate concern. This annual satire competition between our group and the other group has become an important fixture in the festival. We won the first year, the others last year so this year's contest assumes an added importance. Not that we care who wins you understand, it's the taking part that matters.

I wrote a rhyming take on the Celtic Tiger Recession Blues for the first contest and last year a sonnet satire subtitled A Typical Ulster Lyric. Both worked well but this year I'm going to try some prose - don't tell the others mind.

At our Boyne Writers Group meeting Thursday evening we listened to the first versions of our efforts and very impressive they were too. Variety is what we're after with satirical attacks on some less obvious targets. Confidence is growing among us. The others meanwhile have been keeping very quiet about their preparations in their various blogs and blogs and blogs. Hmmm I wonder what they're up to.

Of course the question always is Is it satire? I can't really explain what satire is but I think I can recognise it when I hear or read it. I bought a second-hand copy of The Penguin Book of Satirical Verse in the Oxfam bookshop in Oxford last week but it's not much help - very little 20th century stuff in it. I'll enjoy reading it when I get time.

Home and Swift Festival

The Trim Swift Festival is less than a month away. Indeed the Stand Up Row has already started. Last night teams from some Trim pubs took part in a first round match. This competition was devised and very successfully implemented last year by Boyne Writers and Trim Festival Committee member Paddy Smith. Each team member is given a topic and must speak for one minute in favour and then speak for one minute against the topic. Great fun!

This year's festival chief attraction is probably UK comic Rory Bremner who will be performing at the round table discussion on Friday night 1 July. He will be joined by, George Hook, John Waters, Minister Leo Varadkar, Minister Pat Rabbitte, Deputy Dara Calleary, Terry Prone, Noel Whelan, Brendan Keenan and more.

The Eighteenth-Century Ireland Society’s Annual Conference will be held in association with the Trim Swift Festival and there is a full programme of lectures many of which have a Swift theme.

And then there's the Battle of the Books but that's another story!

Home and Gardens

Good to be home! The torrential rain in western England yesterday turned to bright sunshine in Wales and I arrived in north Wales way too early for the ferry. I took a detour and visited the National Trust garden at Bodnant near Conwy. The great magnolia borders were past their best but the irises and foxgloves were splendid.

This is an 80-acre estate more than a garden with long walks through classic borders, rose gardens, a wonderful laburnum archway, lots of trees including some sequoia, ponds, lakes, streams, waterfalls, cliffs, and even an old mill. The word garden covers a lot.

When I returned my tiny piece of earth was also showing off its irises and foxgloves (and its poppies and peonies too) though the wind had caused some toppling. Some work to be done there. But first a rest after 1248 miles driving. And then check out the Bedfordshire Regiment information - there's a book to finish, and then satire for the Battle of the Books at the Swift Festival. Rest!!

Worcester

After Bedford back towards the west again. A stop in Coventry to see the city centre and the new cathedral. New in the sense that it was built after the second world war beside the ruins of the old cathedral. Very impressive building with much to admire especially the great Graham Sutherland tapestry behind the altar.

Then further west to the city of Worcester on the river Severn. Another cathedral here, with the tomb of King John, and lots about the quintessential English composer Edward Elgar who was born and lived locally. The cottage where he was born is preserved and open to the public. A lovely quiet place with a beautiful English country garden. It has a recently installed sculpture of the composer by Jemma Pearson at the end of the garden. You can sit beside him and look at the distant Malvern Hills.

Elgar, though he was awarded a knighthood, was an outsider, a Catholic, from a poor background and without much formal music training. A very interesting character.

I watched the European final last night in a local pub. I was surprised that there appeared to be little interest and hardly any support for Manchester United, the English champions after all. Most were supporting Barcelona and were delighted with the result. I kept quiet.

Drive in the rain to Holyhead today and cross to Dublin Port late tonight.

Bedford Archives Friday

And so to Bedford. This is the reason behind the whole journey, a visit to the archives here which has material on the Bedfordshire and Hertfordshire Regiment which served in Sligo and north Roscommon in 1921-22. Some interesting material with some new viewpoints and some very nice quotes for the book. It's great to see those years from the viewpoint of "the other side".

The Regiment had two fatalities during those years, one soldier killed in an ambush in Co. Leitrim and one killed in an accident in Sligo Gaol. They were glad to get out of this strange country where you couldn't be sure who was friend or enemy. They had friends especially in Sligo where concerts and dances were regularly arranged and it seems that at least two soldiers went home with Sligo wives.

Many from the Regiment went back to England and then on to India. At least it was warmer there!

Bromham, Wiltshire

I found Bromham, Wiltshire, parked in the village car park and walked the two hundred metres (sorry, yards, it's the UK) and went into the churchyard to find Thomas Mooore's resting place. Unmissable, it's the tall Celtic Cross among all the box tombs and the small headstones. I took the photos and walked round to the front.

"You're the man from Cavan" the local gentleman said. "No", I replied, "My car is from Cavan but I'm from Meath". It could have been an Irish village where the news of a stranger in town spreads faster than walking pace. He showed me the Moore windows in the church, one to Thomas and one to his wife Bessie.

Bromham is twinned with Avoca, Co Wicklow and my guide has been among a group who were treated very well on a trip to Avoca. Moore and family settled nearby because his patron Lord Lansdowne lived in the area. Moore's five children predeceased him.

Martin Dyar who won the Patrick Kavanagh Poetry Award two years ago has a show about Moore - Tom Loves A Lord. We often read Moore's Oft in the Stilly Night at our Knightsbridge Poetry Readings for the residents of the home.

Then to Salisbury Cathedral and afterwards to the wonderful Sandham Memorial Chapel designed and painted by Stanley Spencer as a memorial to a World War 1 soldier victim. The pictures on the website don't prepare you for the effect of the work in such a small building.

The Seven Ages of Bob Dylan Conference, Bristol

A great day yesterday in the University of Bristol with the Dylan professors and enthusiasts on the great man's 70th birthday. An introduction, nine individual papers/talks, a poetry reading and a keynote address by expert Michael Gray made for a very full, tiring day. Difficult to summarize everything that was said but here are a few impressions.

A common theme dealt with the old question of whether Dylan can be regarded as a poet or not and the consensus was that his songs cannot be considered as texts alone. It seemed to be agreed that if we were only reading his words on the page then there would be no conference and no celebration of his 70th birthday.

Two talks were close readings of individual songs. Aidan Day looked at Man in the Long Black Coat and with references to Blake and Milton saw it as a as a celebration of someone who chooses imagination, creativity and risk rather than convention. Craig Savage talked about Cross the Green Mountain from the film Gods and Generals and the way Dylan uses the American Civil War.

Katherine Peddie spoke about "I is somebody else" a translation by Dylan of a line by the French poet Rimbaud and talked about Dylan's use of Rimbaud's mythmaking of the poet as vagrant wanderer and the sense of the divided self and the lack of the stable "I". "What does this mean?" is the wrong question to ask about poetry and song.

Mark Ford talked about Dylan's use of the vignette, mini-narratives or anecdotes which avoid coherence. Characters appear and disappear, drawn with razor-sharp lyrics. These use the collage techniques of modernism and while they may look silly on the page they take on life in the singing.

David Boucher from Cardiff asked why did Robert Zimmermann take Dylan Thomas' name. His answer was that Dylan Thomas who died in 1953 was seen by the beat poets and others in the USA as an irresponsible Bohemian who achieved fame and popularity. Thomas' first American published poem was "O Make me a Mask" and this may have also influenced Dylan who has always been fascinated by the mask image.

Richard Brown dealt with Dylan's visions of endings and the apocalyptic references in much of his work and Philip Horne's talk resonated with this as he considered Dylan's Flood Songs with reference to the body of blues and other songs about the 1927 and 1937 great Mississippi floods.

David Punter considered Dylan's fascination with the word pity in his work and the last paper by Neil Corcoran was a delightful look at some of his early work. Dylan as editor of his own work is responsible for the reissue of these early albums in mono. They stand as a great achievement but he managed to avoid what many others did not, early achievement followed by stagnation. He talked about the melancholy and the awareness of death in these early works and the difficulty he had in the Cynthia Gooding interview in answering the question "What age is Bob Dylan?" because that is not the same question as "What age is Robert Zimmermann?"

And then Michael Gray's keynote address but that's for another day maybe.

Happy 70th Birthday Bob from Bristol

Sunday Hay-on-Wye, yesterday Somerset - Wells Cathedral (awesome) and East Coker (T.S. Eliot's Quartet and resting place) - in the sunshine.

Old men ought to be explorers

Here or there does not matter (Eliot)

And today?

I'm still on the road

Heading for another joint (Dylan)

At the Bristol University Conference The Seven Ages of Bob Dylan to mark his 70th birthday. It's a great lineup of speakers, each apparently speaking for about 20 minutes, and promises to be very enjoyable, thoughtful and probably controversial as well.

Prize for best title probably goes to Dr. Richard Brown (Leeds) for The Dylanesque and the Dylennium. Professor Neil Corcoran (Liverpool) who has written extensively about Irish poetry and poets will speak on Dylan Now and Then: Notes and Queries. The day ends with a keynote address by Michael Gray entitled Our Back Pages.

There is also a poetry recital by Lavinia Greenlaw and Mark Ford at lunchtime. The Conference is mentioned in the Telegraph in this article.

Thousand of media stories about Dylan today. Many reporting the Dylan heroin story which as usual with such packaged media snippets is not quite as simple as it is reported. This is Bob Dylan after all. See this Rolling Stone comment.

Ludlow, Shropshire

And then there's Ludlow, a historic South Shropshire town on the English-Welsh border. A Norman Castle here as in Trim and some close connections. Hugh de Lacy who built the castle at Trim or its predecessor was from the Ludlow area as was the Mortimers who came to Trim with him. Noel French from Trim is the Hugh de Lacy expert and is finished a comprehensive book on him to be published soon.

Ludlow is a picturesque town with wonderful streets, timber framed buildings, bridges and town gates. It even has a captured Russian Crimean War cannon in front of the castle as has Trim Castle. They must have brought back shiploads of captured cannon:
Cannon to right of them,
Cannon to left of them.



The poet of Ludlow is A.E. Housman (1859-1936) whose sad wistful A Shropshire Lad poems seem both out of date and prophetic as if he knew so many lads would die in the Great War. He is commemorated by this plaque on the church and by a cherry tree in the church grounds.

Lovliest of trees, the cherry now
Is hung with bloom along the bough
And stands about the woodland ride
Wearing white for Eastertide.

No blooms on the cherry tree at the moment.



Some interesting facts:

Signposting on English roads is just as bad as on Irish roads.
Being on the correct road is no good if you are going in the wrong direction.
The full English breakfast is actually quite good.
Broad generalisations are not facts.

Oswestry, Shropshire

Nice to drop into towns I never heard of and walk the streets, see the sights, take the pictures, check the details on the internet. Yesterday I visited Oswestry, a town in Shropshire near the Welsh border. Sheep country so this sculpture, Borderland Farmer by local artist Ivor Roberts-Jones, is suitable. Could be in the middle of Tubbercurry or Coolaney.


Wilfred Owen, the poet famous for his poetry of the first World War, was born in Oswestry and there is a memorial seat beside the ancient St Oswald's Church in the town. The plaque on the wall behind has the text of two of his poems, Anthem for Doomed Youth and Futility. He died a week before the end of the war.

The Poetry Divas in Trim

Our May Boyne Readings last Thursday evening featured The Poetry Divas, pictured above left to right Kate Dempsey, Triona Walsh and Barbara Smith. I hadn't seen them before and was impressed with their material and performance.

Lots of poems about the reality of having and rearing children and also a couple about calf and fruitfly (I think) castration which caused some uneasy shifting on chairs! Most of the poems were individual but they began and ended with joint readings where the poem was shared among the three. Well done divas!

At the Open Mic I read my two satires from the Trim Swift Festival Battle of the Books 2009 and 2010 as a reminder that we need to get working on our satire. We can't be the runners-up two years in a row.

The UK Tour

Ok that's it. I need a break. Seeing the great welcome the Queen got in Ireland I'm off to the UK to sample the hospitality. Ferry to Holyhead then driving through Wales, southern England. No definite itinerary but I have to be in Bristol on 24 May (Bob's Birthday- he'll be 70) to attend the Bob Dylan Academic conference. I can't wait - Dylan and Academia!!

Then I have to be in Bedford at the end of the week to research the records of the Bedfordshire and Cambridgeshire Regiment which spent some time in Sligo during 1920-21.

Apart from that just wander around, see some churches, monuments, poets' graves, bookshops (Hay-on-Wye especially), attend a poetry reading or two if I can find any.

Above: the headlines in the Sligo Independent celebrating the visit to Ireland of the present Queen's grandfather in 1911.

Introductions Second Night

The second quartet of this years Poetry Ireland Introductions took the stage last evening in the Irish Writers' Centre. The audience was enthralled by variety in style and delivery on show. It's difficult to comment on readings when you hear each poem only once but here are a few impressions.

Eleanor Hooker from Dromineer on Lough Derg featured the lake prominently in her work which might give the impression of light, rural themes and scenes. Yes they were there but there was a wonderful almost surreal darkness breaking through in many of the poems which gave a great edge to the reading.

Susan Lindsay's poems are spare and her delivery emphasised the almost disjointed nature of the phrases and ideas. She read a couple of poems each from her Dancing on Breaches and her Late Loves sequences and finished, if I remember correctly, with her wonderful Of No Substance dealing with images and reflections of herself.

Barbara Morton read her poems without any introductions or titles in a staccato style, creating a rhythm which had nothing to do with the words hanging together, more with the words as individual assertions. The effect was mesmeric and I was left with wanting to see how these poems are presented on the page.

Jane Robinson's subject matter ranged far and wide. She had a wonderful informal sonnet about the Natural History Museum with the great whales hanging from the ceiling and a poem about the first atomic test in the desert. She included the poem about the Tube in London which she had used at the workshop with Alan Jude Moore and thanked her fellow poets for their input. She probably wins the prize for the best title of the whole Introductions 2011 with What the Stolen Handbag said to its Owner.

I really enjoyed the night, pressure off since I was not reading, and thought the four poets put on a great show. Well done.

So now it's all over!! Thanks to Poetry Ireland, judge Alan Jude Moore and the other seven poets for a great experience.

Boyne Readings and Open Mic

We are in for a treat this Thursday at our Readings, not one poet, not two poets but THE POETRY DIVAS!

The Poetry Divas are a glittery (and glittering) group of well published women poets. They are very well known and respected on the poetry circuit and have read at various festivals and events around the country including Electric Picnic, CastlePalooza, Flat Lake, Body and Soul, Uisneach, Glor and Caca Milis cabaret.


The members include Kate Dempsey, Maeve O'Sullivan, Triona Walsh and Barbara Smith but each lineup and show is different, blended to the occasion. They have guaranteed a deliciously infectious show that's bound to touch a nerve and blur the wobbly boundaries between page and stage.

The talented Kate Dempsey, a well-known blogger, was a solo reader at a previous Knightsbridge reading and made a big impression. Since then she has won the prestigious Plough Prize in the UK.

The Boyne Readings and Open Mic take place in the Coffee Shop (just inside the main door), Knightsbridge Retirement Village, Longwood Road, Trim at 8pm this Thursday 19 May.

Clematis Killed by Cold Winter

The garden is really coming to life after the recent rain.

Alas it looks like my clematis is finished. No sign of life. Pictures Top: This year. Below: last year. It survived the cold of January 2010 but obviously the second cold winter in a row was too much for it. The plant on the right climbing through the dead clematis is a woodbine/ honeysuckle.

I think it's best to leave the clematis there until the autumn and then cut it down. The wallflowers and bluebells under the tree look well. Must plant more for next year.

My magnolia has not flowered at all this year, presumably as a result of the cold but still looks healthy. All the fuchsia are dead but the ferns which I was worried about have burst into life.

Poetry Ireland Introductions Part One

The first night of Poetry Ireland Introductions went very well last evening. A great audience, great listeners, sympathetic and ready to respond to every nuance. I was very pleased with my final selection, seven poems sandwiched by two past/present poems, the Ball of Twine to start and the Journey Back to finish.

The Ball of Twine was a late addition but got positive comments afterwards. I had my introductions scripted to ensure that I didn't ramble on so they may have been a bit brief and lacking in spontaneity but I was determined to avoid rambling. The poems were the most important element.

Thanks to all who attended including Honor from LitLab and Orla, Paddy and Evan from Boyne Writers. Great to see fellow poets and bloggers Kate, Peter, Padhraig there as well. Thanks to Paddy and Donna's husband for the photos.

The Writers' Centre is a great venue. It's nice to read upstairs in a pub with an audience of fellow enthusiasts but there is an air of illegal back-room conspiracy about it. The Writers' Centre is a dedicated space, books on the shelves, art on the walls, notices of lots of other events and very friendly welcoming staff and audience. I read there once before at a Windows launch and loved the size of the room, the solid podium and the Sean MacSweeney Sligo bogscape on the wall makes me feel at home.


My fellow readers, Ainín Ní Bhroin, Kimberly Campanello and Donna Sørensen (right to left in the picture above) did very well. Many people remarked on the variety of styles and it's a tribute to Poetry Ireland and the judge, poet Alan Jude Moore that no narrow conception of poetry or poetic style was favoured. As I said before, I was the only male and the oldest by quite a distance and I played on both of these to get a little audience sympathy.

The second part of the Poetry Ireland Introductions 2011 takes place on Wednesday evening next in the Irish Writers' Centre at 6.30. The readers are Eleanor Hooker, Susan Lindsay, Barbara A. Morton, and J.S. Robinson.

Poetry Ireland Introductions

A good night at the Ó Bhéal reading in Cork on Monday night. A great audience who took part in the five word challenge at the start and the open mic at the end and listened to my poems in between. Half an hour gave me a chance to read quite a number of the contenders for the shortlist for the Poetry Ireland Introductions tomorrow evening. Ten minutes so seven poems will just fit in with short introductions.

I have felt a bit like Alex Ferguson must feel having to select a line up for a match - so much good material available! My Manchester United poem went down well in Cork but is not being included, a bit too long.

One older poem I included at the last minute in Cork got a couple of nice remarks so it has pushed itself into the final line up. Others failed to live up to earlier promise and have been dropped. The reading list is ready and at the final rehearsal came in at 9 minutes 55 seconds. Perfect!

Ainín, Kimberly, Donna and myself are on tomorrow evening, Thursday 12 May, 6.30pm in the Irish Writers' Centre, Parnell Square. The other four on Wednesday of the following week.

Now to decide what to wear!

Poetry and Short Stories Publishing Seminar

This looks very interesting!
On Saturday 2 July the Irish Writers' Centre is hosting a day-long Poetry and Short Stories Publishing Seminar with leading figures across a variety of branches of the publishing industry.

Talks will be given by Ciaran Carty, Editor of New Irish Writing; Declan Meade, Editor of the Stinging Fly; Jessie Lendennie, Managing Director of Salmon Poetry; Kevin Barry, Short Story Writer and Novelist; and Kevin Higgins, Poet and Co-organiser of Over The Edge Reading Series.

From 10.30am to 4.30pm. Tickets €60 or €50 for members. More details from Irish Writers' Centre, 19 Parnell Square, Dublin 1. Telephone: +353 (0)1 872 1302. Email: info@writerscentre.ie

Ó Bhéal Poetry Reading Cork

Off to Cork tomorrow to read at Ó Bhéal, Winthorp Street, Cork. I've never been there but I've heard great reports about it. Really looking forward to it but a bit apprehensive as well. The night begins with a Poetry Challenge starting around 9.00pm. Guest poets begin about 10.00pm for between 30-45 minutes, after which there is an open-mic session.

Quite a long reading then so an opportunity to try out a variety of stuff and see what goes down well with a view to the final selection for the Introduction on Thursday night next. That set list not finalised yet! Like most of these reading the audience is composed of fellow poets, who are both sympathetic and critical.

This reading is held weekly and the list is impressive: Pat Borthwick, Rita Kelly, Anne-Marie Fyfe most recently and Kathy D’Arcy next week. The accomplished Richard Halperin who I have been bumping into here and there, most recently in Limerick on Thursday night - he has a poem in Revival 19 - is the guest reader on 23 May.

"I Shouldn't be Telling you This" launched in Limerick

A quick trip to Limerick yesterday to attend the On The Nail event at Locke's Bar. A visit to Limerick poetry venues is always enjoyable and this was a three hour extravaganza which included the launch of and readings from Revival 19, the launch of Mae Leonard's book of poems I Shouldn't be Telling you This which is published by Doghouse, a reading by the other featured reader Patricia Byrne and an open mic.

The venue is great, an upstairs area in the pub with a good stage, nice seating and good acoustics. I was first to read, reading Frank Miller which is included in Revival. Limerick audiences are great and they responded well.

Mae Leonard's book got a great introduction from Frank Prendergast, former Mayor of Limerick and Labour Party TD who is an expert on the history of Limerick and had high praise for the collection. Mae is a Limerick native now living in Naas, Co Kildare and is a regular on Sunday Miscellany. Her poems are full of close observation, some based in her youth in Limerick other in Kildare, some sad, some happy, all vibrant and sharp. Her collection gets its Kildare launch tonight, Friday 6 May, in the Council Chamber, Naas Town Council, Naas, Co Kildare at 8pm. Admission: free. All are welcome.

Patricia is a native of Mayo living in Limerick who has written poetry and prose. Her nonfiction book The Friar & the Felon will be published by Collins Press in spring 2012. The book tells the story of the Achill Island atrocity of 1894 involving the infamous James Lynchehaun, who was one of the influences on John Millington Synge in writing The Playboy of the Western World.

She read the opening section of the book last night which describes the scene in Achill when in 1894, the first train on the Achill railway carried the bodies of victims of the Clew Bay Drowning. This tragedy occurred when a boat overturned in Clew Bay, drowning thirty two young people who were on their way to Scotland for the seasonal potato picking. This makes a great opening to the book setting the scene and the context and introducing the main characters in the story.

Patricia blogs here.

More about Revival later maybe.

Seven Towers Poetry Reading

There's something special about an early afternoon poetry reading especially when the audience is small. A bit like a parallel universe - you step in from the hustle and bustle and sunlight to a dark back room and read strange collections of words and listen to other read similar stuff and applaud and then go back out to the hustle and bustle.

A small audience in the Twisted Pepper yesterday. Thanks to Kate and Eamon who turned up, hope you both enjoyed the poems. I had a good time, tried out some different poems and got good feedback. You know when you finish a poem whether it has gone down well or not. My cafe poems didn't perform well so probably will be dropped from the list. My opener The Truth got a good response so will probably get that slot for the Poetry Ireland Introductions.

I wasn't familiar with the other readers. Roger Hudson uses colloquial speech in a disjointed real way which amuses and intrigues. Bernadette O'Reilly writes about Dublin, her childhood, the difference between Finglas and Foxrock. What I liked about her poems was that she knows when to stop. The temptation in this sort of material is to include too much. She knows that a taster is usually more effective.

And the reading started with the accomplished Liz McSkeane reading from her two collections. She is an accomplished reader as well and held us spellbound with her brilliant use of words and sentences, varying tone and line length and amount of information to draw us in and leave us almost knowing all.

Thanks to Seven Towers for putting the event on and to Oran for making us feel at home.

Launch of Revival 19 Locke Bar, Limerick

The 'On The Nail' Reading @ The Locke Bar, Limerick on tomorrow Thursday 5th May 2011 at 8.00pm will include the launch of issue 19 of their Revival Literary Journal.

I have a poem, Frank Miller, in this issue. This is one of my High Noon poems. Frank Miller is the outlaw who is arriving on the noon train so we don't see him until near the end. In my poem he represents each of those annoying people who seem to haunt our lives.

The guest readers this month are Patrica Byrne and Mae Leonard. Patricia Byrne's poetry collection Unstable Time was published in 2009.

Her nonfiction book The Friar & the Felon will be published by Collins Press in spring 2012. The book tells the story of the Achill Island atrocity of 1894 involving the infamous James Lynchehaun, who was one of the influences on John Millington Synge in writing The Playboy of the Western World. Patricia blogs here.

Mae Leonard is originally from Limerick now living in Co. Kildare: Writer, Writer in Schools/Libraries, Poet and Broadcaster. Winner of several short story and poetry literary awards including Scottish International, Francis MacManus, Belmont Prize etc. Her new Poetry collection with Doghouse, I Shouldn't be Telling you This, will be launched on the night by Frank Prendergast.

A magazine launch, a poetry book launch, two featured readers and an open mic. Seems like it will be a great night. Hope to make it. Today it's the Twisted Pepper.

Poetry Ireland Introductions

The Irish Writers' Centre have a notice about the upcoming 12 May Poetry Ireland Introductions on their website. (Scroll down) I'm really chuffed that they used my picture to illustrate the notice since I'm the only male among the eight Introducees (?). The blue pullover looks well doesn't it. Sorry Ainín, Kimberly and Donna.

Yeats, Birds, Poetry, Sligo

I think there has to be a moratorium on the use of birds in poetry especially as symbols of freedom, the spirit, independence, inebriation, etc etc. We've had enough stuffed birds.

Yeats was fond of using birds in his work. He said in a note on his play Calvary: "Certain birds, especially as I see things, such lonely birds as the heron, hawk, eagle, and swan, are the natural symbols of subjectivity, especially when floating upon the wind alone or alighting upon some pool or river".

I was in Sligo last week and walking along the Garavogue in the town centre waiting for the library to open (Too early again!) I saw a swan and a heron between the two bridges.


I'm writing a poem about a robin myself, symbol of greed, gluttony, dependence and treachery.

Seven Towers Lunchtime Reading

I'm one of the readers at this Wednesday 4 May Seven Towers First Wednesday lunchtime reading in association with Third floor Expresso Coffee at the Twisted Pepper, 54 Middle Abbey St, Dublin at 1.15pm.

I'm in good company. I have met Drogheda writer Roger Hudson at some readings and he has been published in Boyne Berries. I'm looking forward to meeting and hearing widely published poets, Bernadette O'Reilly and Liz McSkeane. It should be a good varied programme so if you are in the neighbourhood do drop in for coffee, muffins, poetry.

So what to read? Lunchtime in central Dublin suggests short, sharp pieces, no time for wandering through deep philosophical alleyways or the back roads of Sligo. So have I any short sharp pieces? What about my Manchester United poem? Or those coffee and scones poems? It is a cafe reading.

Boyne Reading and Open Mic - April

Our Readings and Open Mic on a balmy end of April night in the Knightsbridge Coffee Shop was enjoyed by the attendance. The new venue worked out very well, more intimate than the Village Hall, bigger than the library and very good acoustics.

The featured reader was our own James Linnane (top) who read from his Life and Times of a Gotcha. The more I hear of this the madder it sounds. James has a lovely habit of saying in an aside This really happened as he starts to read an episode.

A good number of our own members read, mostly prose and we had members of the Meath Writers Circle, Michael Shields (above) and Frank Murphy, as well. Both read prose, Michael a short piece inspired by our MCs strictness as regards length of reading and Frank a great story about . . . well about some characters in an Irish pub and a coat which went to Katanga and back.

Meath Cavan LitLab was ably represented by Honor Duff (above) who read a poignant well-crafted poem about her father's experience in the trenches in the war.

Frank Murphy and Orla Fay were taking pictures so look out for their comments and photographs on their blogs.

Poetry Slam in Drogheda

The Third Great Drogheda Poetry Slam will take place at 7pm on this Saturday 30^th April in McHugh’s Pub, Chord Road, Drogheda as part of the of the Drogheda Arts Festival Fringe.

Last year’s Slam saw over twenty poets compete in two categories: Page Poets, defined as those writing to be read and themselves reading from the page to compete, and Performance Poets, who write to be heard and will present their work from memory without script First prize in each category will be €100. Those wishing to compete should come to the venue at 6.30pm to sign in for a start time of 7pm and bring at least two poems.

MC for the evening is Roger Hudson, well-known Drogheda poet and author, whose collection Greybell Wood and Beyond, also published by Lapwing. He was himself a finalist in the recent Cuirt Grand Slam competition.

Key rules are that poets may enter only one category, should bring at least two poems which must be their own work with a maximum length of three minutes each but in any style, and that no costume, props or music are allowed. A full set of rules on request from droghedafringe@gmail.com. Competitors may also pre-register for the competition at this address.

This year’s Guest poet is Marie MacSweeney who will read from her two collections; Mother Cecily's Music Room and Flying During the Hours of Darkness, both published by Lapwing. The Slam is sponsored by Coca-Cola International Services and presented by Drogheda Creative Writers.

Last year’s winners were Drogheda poets John ‘Dixie’ Nugent and Patrick Dillon. Strong talents are expected this year from other parts of Ireland promising an even fiercer battle!

Enquiries to: Mark Kearns, Event Organiser, 087 939 5217. droghedafringe@gmail.com

Boyne Readings - James Linnane

The Boyne Readings and Open Mic this Thursday evening, 28 April, features our own James Linnane who had recently published his book The Lift and Times of a Gotcha. James is a native of Galway but now lives in Ballivor, Co Meath. He writes poetry and prose and was a member of our Battle of the Books Swift Festival team last year. He holds the distinction of being the only Boyne Writers Group member who is also a member of the other Trim-based group.

The event will take place at 8pm in the Coffee Shop, Knightsbridge Retirement Village, Longwood Road, Trim. We will also include the usual open mic session where everyone is welcome to read their own work. All welcome!

Happy Easter

The annual Dicentra Spectablis photograph. These gets larger each year.

Some poems for the festival.

An Easter poem by Robert Pinsky here.

The classic Easter Wings by George Herbert here.

Easter in Pittsburgh by James Laughlin here.

Happy Easter!

Boyne Writer in WOW!

Congratulations to Boyne Writers Group member, Tom Dredge, whose poem Progress is on the WOW poetry shortlist. It will appear in the WOW Anthology and is in the running for one of the three poetry prizes. Well done Tom! Above: Tom reading at one of our open mics last year.

Some familiar names on the lists. Peter Goulding and Kevin Graham are in our current Boyne Berries and Eleanor Hooker of the Dromineer Festival is in the Poetry Ireland Introductions this year. Well done everyone!

Rebecca O'Connor Workshop at LitLab

Our LitLab group had a workshop last night in Bailieborough with special guest Rebecca O'Connor, poet, novelist, editor and publisher of The Moth magazine. My third such workshop this year. Rebecca fitted in very well and made it feel just like another meeting where we comment on each other's work.

She was very complimentary to the group, "incredible" was how she described the standard. She suggested that we consider putting together an anthology of our work - something to think about for next winter. We will be involved again in the Fleadh in Cavan in mid-August.

She stressed that the writer should be able to articulate clearly what he/she is trying to convey in the work. Can you explain the poem in clear language? Sometimes I agree with that other times I don't. There are times surely when you're not quite sure yourself where the poem has come from or what it is "about".

The question of the reader came up as it did at the other two workshops. How much do you tell the reader? This usually refers to introducing poems at reading but it's also relevant when considering how much information to include in the poem itself. The consensus seems to be say only a little when introducing a poem - the poem should speak for itself.

Some things to think about when I choose my poems for my ten minute Poetry Ireland Introductions.

Picture, Myself, Rebecca and Tony in Bailieborough.

Aesthetica Creative Works Competition

I was lucky enough to be successful in this competition two years ago and had a poem included in the annual.

The 2011 Aesthetica Creative Works Competition is now open for entries! Aesthetica Magazine is inviting all artists, photographers, writers and poets to submit their work into the Creative Works Competition, Now in its fourth year, the competition is dedicated to celebrating and championing creative talent across the disciplines and welcomes entries from poets and writers as well as artists working in any medium, including sculpture, textiles, photography, ceramics, paint, digital art and more!

The Competition has three categories, Artwork & Photography, Poetry and Fiction. Winners and finalists are published in the Aesthetica Creative Works Annual. Winners of each category receive £500 prize money plus other prizes.

Entry to the Creative Works Competition is £10. The entry fee allows the submission of 2 images, 2 poems or 2 short stories. The deadline for submissions is the 31st August 2011.
More guidelines on how to submit can be found on the website.

Noel Farrell - Booker's World

Friday and Saturday nights a new play by Trim author is premièred. Today, Sunday, a new novel by another Trim writer is launched. What a town of talent!

A very enjoyable function, speeches (well short chats), readings and music, this afternoon in the Bounty Bar, Trim saw the official launch of Noel Farrell's first novel Booker's World.

Noel, a past pupil of mine, has been writing for some time, novels, poetry, screenplays and is deeply involved in film production as is clear from his other blog. We published a poem of his in Boyne Berries a couple of issues ago.

And the novel?

Booker’s World is a coming-of-age fiction novel, told through the eyes of Don Booker, as he lives in recessionary Ireland. As he slides toward his fortieth birthday, he is unemployed after the economic collapse in Ireland. He finds himself in a self enforced state of recluse; with nothing more than his Alzheimer’s suffering Mum for company, and his gay cousin Mitch who helps with her care. Don begins writing a daily journal in an effort to amuse himself as he wearily limps through his everyday drab existence. As we are introduced to the many things that antagonise that existence, Don delves deeper into his mind-set and the things that have been contributory to his present situation.

A most suitable read for these times. You can buy it on the website or in Trim in Antonia's Bookshop.

Edward Lear on Trim Stage

A first for Boyne Writers Group last night. The premiere of a member's play. Paddy Smith's What a Hoot! was one of the short plays included by Trim Drama Group in their evening of fun, food and entertainment in the Knightsbrook Hotel last evening. A dinner, punctuated by four ten minutes plays, three by Bruce Kane and one by Trim's own Paddy Smith.

The Bruce Kane plays were amusing reflections on love, marriage and relationships often using fairy tale and/or Shakespearian characters and they went down well with the salad and salmon.

Paddy's started with a reading of The Owl and the Pussycat by a starchy Edward Lear who was then accosted by a PR guru out of somewhere like Killnascully, Cavan who advised him on rewriting his poem to include product placement and remove objectionable stuff. Well they spent a year and a day in a small boat together before getting married - what were the sleeping arrangement? he asked.

If it all sounds a bit crazy, it was and in the end Lear becomes just as mad as the PR man and spotting another poet in the audience suggests amending that poet's line to include 57 not 9 bean rows. The audience loved it!

The second performance is on tonight.

Limerick On the Nail Reading

Dominic has put up the video of last week's Limerick On The Nail event including Susan Millar DuMars' story, my poetry and the open mic. Difficult to watch myself. Slow down even further!!

Available on On The Nail Channel.

Swift Satire Competition 2011

An unusual writing competition, launched by the Boyne Writers Group, Trim, has been prompted by the sudden interest among prominent dignitaries – so far, Queen Elizabeth and President Obama – in paying a visit to Ireland this year.

‘Travels Into Several Remote Nations Of The World: Ireland 2011’ is the subject set for the €1,000 competition, which is for satirical writing and is being held to commemorate Jonathan Swift, the author of Gulliver’s Travels and many other works of satire.

The competition is sponsored by the Trim Swift Festival which this year runs from Thursday, 30^th June, to Sunday, 3^rd July.

Announcing the details of the competition Boyne Writers Group chairman Paddy Smith said they expected to receive lots of entertaining entries because of the latitude provided by the subject matter. “Gulliver saw many strange and wonderful things in his day,” he said, “and we’re looking forward to reading what the modern visitor would find in Ireland.”

Entries will be judged on the basis of satire, irony, absurd humour, acute political insight, grotesque imagination, and lacerating wit – the hallmarks of Swift's best works. Extra explanatory material of not more than 100 words may be included with each entry. “This is to facilitate judging of entries,” explained Paddy Smith, “because this type of material sometimes lends itself to allegorical references which may not be immediately clear.”

Entry fee: €7 (or £5 or $10) per entry. There is no limit to the number of entries, but each must be accompanied by the fee of €7 (or £5 or $10). Cash is acceptable.

Length: Prose - minimum of 600 words, not more than 800 words. Poetry – minimum 30 lines, maximum 100 lines.

Prizes: 1st €500, 2nd €300, 3rd €200. Closing date is Tuesday, 7th June, 2011. Entries (by email or post) will be judged by members of the Boyne Writers Group and a Guest Judge.

Entries should be sent to Boyne Writers Group, c/o P Smith, 25 Saintjohns, Trim, Co Meath, Ireland, OR emailed to swift@boynewriters.com (and please put Boyne Writers Competition in the subject line of the email).

Full details on the group's website where you can also find details of winners from previous years.

Poetry Ireland Introductions Readings 2011

The line up for the Introductions readings has been finalised.

Venue: The Irish Writers Centre, Parnell Square, Dublin 1 .
Poets Reading at 6.30pm on Thursday May 12th 2011.

Ainín Ní Bhroin
Kimberly Campanello
Michael Farry
Donna Sørensen

Venue: The Irish Writers Centre, Parnell Square, Dublin 1 .
Poets Reading at 6.30pm on Wednesday May 18th 2011.

Eleanor Hooker
Susan Lindsay
Barbara Ann Morton
J.S. Robinson

On The Nail Reading Limerick

There's two ways to look at being a featured reader at an event which includes an open mic.

1. Most of those present are going to read themselves after you so they are likely to be very sympathetic and appreciative.

2. Most of those present are going to read themselves after you so they are likely to be hyper-critical, thinking they could do better.

At the On the Nail Reading in the Locke Bar, Limerick last evening it was definitely the first. Susan Millar DuMars read first. She read one short story, Lennon and McCartney, from her recently published collection Lights in the Distance. She did a fantastic job. It's a great story - the first line is a real attention grabber: He used to love my boobs. The story takes what could be a very hackneyed situation and makes it new. The wedding dresses, ghost white in a row among the graves is brilliant.

It was a tough act to follow. I followed all the instructions in the previous post, had my poems ready in a folder, timed, rehearsed, introductions ready. I read fourteen, each less than a page. They seemed to go down well, suitable audience reaction at various points. From comments afterwards they particularly liked the Auschwitz one, the one about my clothes carpeting the road back to where I was born, the one about being asked for directions in Florence and the male guilt one.

This was my first reading at this venue. A very comfortable place, very well organised by Dominick and his committee. A great selection of books for sale many published by Dominick and the gang at the Limerick Writers Centre. We sold a number of Boyne Berries also.

Met some familiar faces, Patricia who blogs here and who is working on a factual book and Ed O'Dwyer who is published in the most recent issue of Boyne Berries and was one of the Poetry Ireland Introductions last year.

Susan's book of short stories has just been published by Doire Press, and a very good job they've done. This is the second book I've seen from this new publisher, they also published Susan Lindsay's poetry collection Whispering the Secrets.

Photo: Susan and I at the reading.

Advice on Reading Poetry

Common-sense advice from last Saturday's workshop.

Always prepare in advance for your reading.
Try practising in front of a mirror and time yourself.
Prepare what you are going to read carefully and have it in order, as shuffling papers or looking for poems on the podium does not instil confidence.
Never read beyond the required time.
Long poems rarely work in a reading but never in a short reading.
By all means explain a term or an incident in a poem but don’t over explain the poem.
A poetry reading is not a story telling session, however, a few words between poems can aid the poems reception.
If a subject is very emotionally sensitive for you it might not be best suited to a public reading environment.
Generally speaking, singing or encouraging audience participation usually doesn’t work.
Never say you are going to finish with three more poems, it is sufficient to say this is the last poem.
Read a selection of poems that show your range of abilities.
One of the best ways to improve your reading presentation is to attend other readings.

On to Limerick tonight to put all that into practice!

The Annual Primrose Photograph

And cowslips. Getting bigger every year. Unharmed by the frost.

The fuschia I bought to replace the ones killed by the frost in January 2010 were killed by the frost of December 2010.

And I'm beginning to worry about my large clematis and even my ferns - a hard frost surely wouldn't kill them.

Dublin Poetry Events

Kimberley Campanello (who is one of the Poetry Ireland Introductions 2011 poets) and Rachel Lehrman are giving a reading with the Wurm im apfel series at 8 pm on Tuesday (today) at the Cat and Cage pub, Drumcondra. More information here.

On Thursday and Friday the Contemporary Music Centre on Fishamble Street is screening Scenes from Crow, a major work of contemporary music by composer Benjamin Dwyer. It is based on Ted Hughes' Crow poems and uses visual images by David Farrell. Dwyer will give a lecture on Thursday at 6 pm in the Contemporary Music Centre. The screening will be on Friday at 6 pm in the Contemporary Music Centre. more information here.

Poetry Ireland Introductions Workshop

Another Saturday, another workshop. I feel a bit criticised out. A good gathering and sharing of opinions based on actual poems on the page. The eight of us Poetry Ireland Introductions 2011 poets (I was the only male) gathered under the gentle guidance of Alan Jude Moore and read and had our poems critiqued. I can't wait to hear other poems from each of the participants. A great variety in subject matter, form and approach made for an enjoyable and very worthwhile workshop which ranged over the usual topics - the title, line breaks, how much to tell the reader, poetic form.

I brought my Christ on an Ass, a response to this piece in the Victoria and Albert Museum, London. Strangely (not actually, this always happens, someone once said that poems begin to talk to each other) there was another poem at the workshop which was also a response to mediaeval German wood carvings, one of these Ars Memorandi. See picture above. A completely different approach but wonderfully effective.

There was a city/country reflection, a regular sonnet, a very subtle but extremely troubling Bail Out poem, a response to the London underground called A Stranger's Diagram of the City (Great title) and a poem on Palmyra which took its time, made you feel you were there and could feel the heat and see the desolation. Nice to read a poem which takes its time and doesn't feel it has to hurry. Almost all the poems, mine included, are probably going to have new titles as a result of the workshop.

It was also stressed that while it's good to listen to what others say about your work and their input is very useful, it is your work. If you have a strong feeling for the way you have composed a piece sometimes it's better to go with that feeling.

Sometimes it's not.

More on the line up and dates later.

April On The Nail Reading Limerick

My Limerick reading this week. I've read at the White House there but the On The Nail readings are relatively new so I'm looking forward to it.

'On The Nail' Reading @ The Locke Bar, Limerick Thurs. 7th April 2011, 8.00pm

Organised by The Limerick Writers' Centre this popular monthly reading and open-mic continues to attract audiences with a mix of poetry, prose and music.

In April the Guest Readers are Susan Millar DuMars and Michael Farry.

Susan Millar DuMars teaches creative writing at various Galway venues. She also organises literary events, including the Over the Edge open readings, begun in 2003. She also teaches special needs groups as well as the general public. She published her first full book of short stories in December of last year. The book Lights In The Distance from Doire Press has thirteen stories, most of which have been published individually.

Michael Farry was born in Coolaney, Co. Sligo in 1947. He attended Rockfield National School and St Nathy's College, Ballaghaderreen. He trained as a primary teacher in St Patrick's Training College, Drumcondra, Dublin 1966-68. He has been writing poetry since 2004 and has been published in a number of small magazines and has been commended and shortlisted in a number of poetry competitions. He is a founder member of Boyne Writers Group.

Everyone is invited to take part in the open-mic after the main event, poets, storytellers, musicians and writers . Even if you don't write you are welcome to bring something along to read. The night begins at 8.00pm and admission is free. So join us on the night and make this event something special.

The Limerick Writers' Centre acknowledges the support of The Arts Council of Ireland.
Further information contact: Dominic Taylor 087 2996409; email limerickwriterscentre@gmail.com web

Videos of previous On The Nail reading here.

Poetry Ireland Introductions - Workshop

I'm off to the Poetry Ireland Introductions workshop today in Dublin.
PI Introductions, that's for young upcoming poets isn't it?
Yes. No! Age doesn't come into it.
But most will be a bit, even more than a bit, younger won't they?
Maybe, I don't know. So what. It's the poetry that's important.
So you need a workshop to straighten the poetry out.
No to . . well to assist us.
So he'll take your poem and tear it to bits and everyone else will rewrite it - a committee poem.
No it will be constructive criticism in a respectful environment.
Right. So they'll tear it to bits and rewrite it.
It'll be a better poem.
But will it be yours?
Stop it. I need the help.
Indeed. So did you pick your best poem?
No I did that last week for the Don Paterson workshop and it has to be shortened by one third.
Tore to bits and rewritten! So this week?
This week it's Christ on the Ass. I like the poem but it could do with a little editing.
Dumping maybe. Who's giving the workshop?
Alan Jude Moore.
Never heard of him.
He's well known, I attended the launch of his third collection and was very impressed.
Did you buy it?
Well no. I did buy his first collection. Enjoyed it.
See!
I have limited resources and limited shelf space.
Just dump any book you've read. That's my rule.
That's enough. Where's my notepad and pencil and what's that word I learned from Don Paterson last Saturday - metonymy, metonymy - must use it .
Older and wiser indeed. That's a laugh.

Boyne Berries 9 Launched

Another Boyne Berries launched with style and enjoyment. A good crowd, appreciative and interested. Some great reading of fine material. Noel Dempsey set the tone for the evening by saying how delighted he was to be with us and how he had feared when he launched our first issue that the magazine would not survive. He congratulated everyone involved in the magazine over the years and spoke of the quality and variety of the contents.

He said he was full of admiration for those who have the courage to express themselves and expose themselves in so many ways. He spoke of a number of individual pieces in the magazine which he had noticed in particular including Vietnam by Paddy Halligan, Peter Goulding's The Rat beneath the Shed and Paddy Smith's story The Back Seat. The Group presented him with a hefty volume, The Penguin Book of Irish Poetry, to help him pass the time in his retirement.

We then had about fourteen readers including Susan Lindsay from Galway who has just published her first volume Whispering the Secret, Steven Balbirnie from Dublin and C.P. Stewart who made the journey from North Yorkshire to read his poem And Still the Daily Gift of Days. C.P has just had his first full collection of poems Considering the Lilies published in Galway. I thought all the readings were great and that our own members excelled themselves. Well done!

Then tea and coffee and lots of chat about prose and poetry and reading aloud and Bob Dylan and Irish history and Irish poets and editing your work and publishing your work. Then someone found the usual typo in the magazine. Oh Dear!

Boyne Berries 9 can be purchased on our website, in Antonia's Bookshop and Spar Trim, and will be available in Dublin at the bookmarket in the Twisted Pepper Building on Abbey Street each Saturday afternoon from 1pm – 6pm and in Galway in Charlie Byrne's Bookshop.

Orla Fay took more photographs that I did so check out her blog for more.